Read, Peter (2005) Review of exhibition catalogue by Gérard Régnier (ed.), 'The Great Parade. Portrait of the Artist as Clown'. Review of: The Great Parade. Portrait of the Artist as Clown, exhibition catalogue by Gérard Régnier (ed.) (Yale, 2004). by Régnier, G.. The Art Book, 12 (2). p. 18. (doi:10.1111/j.1467-8357.2005.523_5.x) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:5619)
| The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided. | |
| Official URL: https://doi.org/10.1111/j.1467-8357.2005.523_5.x |
Abstract
A review of an exhibition catalogue, discussing how from the eighteenth century to the present artists have identifed with clowns (rootless, outcast, happy and sad entertainers) and have used circus as a subject for their art. This tradition is similarly strong in literature.
| Item Type: | Review |
|---|---|
| DOI/Identification number: | 10.1111/j.1467-8357.2005.523_5.x |
| Subjects: | N Visual Arts |
| Institutional Unit: | Schools > Language Centre |
| Former Institutional Unit: |
Divisions > Division of Arts and Humanities > School of Culture and Languages
|
| Depositing User: | Peter Read |
| Date Deposited: | 22 Sep 2008 22:28 UTC |
| Last Modified: | 20 May 2025 08:45 UTC |
| Resource URI: | https://kar.kent.ac.uk/id/eprint/5619 (The current URI for this page, for reference purposes) |
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